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Miss Connections |
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Installed at chashama's Fashion District location, Miss Connections explored communication, community, and connections through both interactive and non-interactive performances over the course of five days.
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Persephone |
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Installed in a room at Happy Ending as part of Love Muscle, a monthly performance series curated by Glenn Marla.
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Goodbye |
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Performed at Rapture as part of Love Muscle, a monthly performance series curated by Glenn Marla.
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Heavy Cream |
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Performed at Rapture as part of Love Muscle, a monthly performance series curated by Glenn Marla.
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A Very Anxious Feeling |
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Installed in the JCP Project room at John Connelly Presents in Chelsea during the assume vivid astro focus show, A Very Anxious Feeling.
avaf transplanted an installation from their 2006 solo show, absorb viral attack fantasy at Hiromi Yoshii, Tokyo. The entrance to the project room was sealed shut, with the only given access to both the performances and installation being through portholes fitted with sheaths and wigs.
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You Will Know By The Lines of My Skin |
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While in the space Zhenesse planned, sketched, practiced prints, and printed three series of human prints. The series followed the order of blood, chocolate, and ink and focused on the contact surfaces of the body and what personal details the lines found there betray.
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Maiden |
| MMC (Maiden, Mother, Crone)
Part one of a live triptych painting exploring the Maiden, Mother, Crone cycle through an American cultural lens. Each panel of the performative painting was displayed for five days, full gallery hours.
Still photographs of the triptych were on view at the reception on April 14.
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Mother |
| MMC (Maiden, Mother, Crone)
Part two of a live triptych painting exploring the Maiden, Mother, Crone cycle through an American cultural lens. Each panel of the performative painting was displayed for five days, full gallery hours.
Still photographs of the triptych were on view at the reception on April 14.
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Crone |
| MMC (Maiden, Mother, Crone)
Part three of a live triptych painting exploring the Maiden, Mother, Crone cycle through an American cultural lens. Each panel of the performative painting was displayed for five days, full gallery hours.
Still photographs of the triptych were on view at the reception on April 14.
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